Against Euthanasia

Euthanasia  is: 1. â€Å"A quiet, painless death. †Ã‚  or 2. â€Å"The intentional putting to death of a person with an incurable or painful disease intended as an act of mercy. † BIBLICAL POINTS: -Euthanasia is considered MURDER One of the Ten Commandments is â€Å"Thou shall not kill† and life is a gift from God that should not be destroyed – God has given us life to live, and SHOULD NOT BE TAKEN AWAY on purpose – God is in everyone and every living thing. If you harm a living thing, YOU ARE HARMING GOD. – Paul stated (1 Corinthians 6:19) that our bodies are temples of our Lord. In VOLUNTARY EUTHANASIA, we should not destroy ourselves because our life contains God’s Holy Spirit – WHEN JOB WAS GOING THROUGH SUFFERING, he still refused to TAKE HIS OWN LIFE. He argues that we must accept the suffering as we accept happiness and joy. SUFFERING IS AN OPPORTUNITY FOR SPIRITUAL GROWTH. – No man dies unless God allows it (Job 2:6) Therefore, according to the Bible, a person SHOULD NOT be killed because of a certain condition they have. Although they WILL DIE, euthanasia should not take place. IT IS MURDER. Yes, God has planned that they will be terminally ill, and he knows when they will die. But only HE has the right to take their life, not doctors. OTHER POINTS: -the power to play with people’s lives should not be handed out under a legal and /or medical disguise. – it promotes abuse and gives doctors the right to urder. – doctors are people who we trust and cure us, but euthanasia gives them the opportunity to PLAY GOD -It’s not only Christians who are against euthanasia, but other religions too. (Musilim, Jews, Hindu, Buddhist) -UNBEARBLE PAIN- pain cannot be all eliminated, but killing is not the answer! The solution is to command better education of health care professionals, expand health care, and inform patients about their rights to be alive. – Euthanasia is not about the right to die. It’s about the right to kill. OTHER RELIGIONS AGAINST EUTHANASIA: Roman Catholic Church: direct euthanasia consists in putting an end to the lives of handicapped sick or dying persons. IT IS MORALLY UNACCEPTABLE. Muslim: -All life is a gift Allah, so it is sacred and Muslim have a duty to respect it and submut to his will -Only ALLAH can choose when a life will end -The reason for any suffering will be known to Allah, there must be a reason for pain Jews: – Anything which shortens life is forbidden, only God could decided when a person’s life should end Hindu: -Euthanasia goes against the belief of Ahimsa (non-violence) Buddhist: -voluntary euthanasia is wrong, it shows that the person’s mind is in a bad state. Against Euthanasia Euthanasia  is: 1. â€Å"A quiet, painless death. †Ã‚  or 2. â€Å"The intentional putting to death of a person with an incurable or painful disease intended as an act of mercy. † BIBLICAL POINTS: -Euthanasia is considered MURDER One of the Ten Commandments is â€Å"Thou shall not kill† and life is a gift from God that should not be destroyed – God has given us life to live, and SHOULD NOT BE TAKEN AWAY on purpose – God is in everyone and every living thing. If you harm a living thing, YOU ARE HARMING GOD. – Paul stated (1 Corinthians 6:19) that our bodies are temples of our Lord. In VOLUNTARY EUTHANASIA, we should not destroy ourselves because our life contains God’s Holy Spirit – WHEN JOB WAS GOING THROUGH SUFFERING, he still refused to TAKE HIS OWN LIFE. He argues that we must accept the suffering as we accept happiness and joy. SUFFERING IS AN OPPORTUNITY FOR SPIRITUAL GROWTH. – No man dies unless God allows it (Job 2:6) Therefore, according to the Bible, a person SHOULD NOT be killed because of a certain condition they have. Although they WILL DIE, euthanasia should not take place. IT IS MURDER. Yes, God has planned that they will be terminally ill, and he knows when they will die. But only HE has the right to take their life, not doctors. OTHER POINTS: -the power to play with people’s lives should not be handed out under a legal and /or medical disguise. – it promotes abuse and gives doctors the right to urder. – doctors are people who we trust and cure us, but euthanasia gives them the opportunity to PLAY GOD -It’s not only Christians who are against euthanasia, but other religions too. (Musilim, Jews, Hindu, Buddhist) -UNBEARBLE PAIN- pain cannot be all eliminated, but killing is not the answer! The solution is to command better education of health care professionals, expand health care, and inform patients about their rights to be alive. – Euthanasia is not about the right to die. It’s about the right to kill. OTHER RELIGIONS AGAINST EUTHANASIA: Roman Catholic Church: direct euthanasia consists in putting an end to the lives of handicapped sick or dying persons. IT IS MORALLY UNACCEPTABLE. Muslim: -All life is a gift Allah, so it is sacred and Muslim have a duty to respect it and submut to his will -Only ALLAH can choose when a life will end -The reason for any suffering will be known to Allah, there must be a reason for pain Jews: – Anything which shortens life is forbidden, only God could decided when a person’s life should end Hindu: -Euthanasia goes against the belief of Ahimsa (non-violence) Buddhist: -voluntary euthanasia is wrong, it shows that the person’s mind is in a bad state.

Organizational Design, Culture, and Adaptation Essay

Organizational Design, Culture, and Adaptation - Essay Example This meant that there were less bureaucratic loopholes and more room for productivity to come about within the hospital settings. The patient-centric aspect is being documented through different programs and steps which are taken on every now and then, as well as in a consistent fashion. This has been the basis of finding out where shortcomings are taking place and what best measures are being done to avoid them from coming up in the first place (Tang, 2002). This healthcare manager is therefore doing his levels best to ensure that the hospital facility remains at par with the best hospitals in town and showcases its true mettle to the general public at all times. He has kept a close eye on the internal and external factors which are under his influence so that the hospital facility has a very sound structure in place. This is the basis of knowing exactly where internal level issues are plaguing the hospital and how external factors play significant roles as well. 2. What internal an d external factors were considered in the transformation? The internal factors that were considered during the restructuring and reengineering were mostly comprised of the attitudes that the employees had on a day to day basis. The external factors were mostly to do with the patients, who were essentially the customers for the sake of the hospital facility. ... The external factors were given similar importance because the patients are the basis of any hospital’s long term success. If they are contented, then this means that the healthcare facility is doing well but if these are not, and as the healthcare manager suggests, then there is much to learn on the part of all and sundry. This outlines how well the hospital facility has been able to rein in commitment towards its transformation. 3. What were the barriers or obstacles were encountered (e.g. internal politics, economics, resource limitations, time constraints, etc.) The healthcare manager faced quite a few obstacles and barriers in the beginning when the restructuring and reengineering aspects were outlined in essence. This meant that he needed to face them, analyze them and turn them in his own favor with the passage of time. There were attitudinal problems that the healthcare manager talked about with the internal domains not being beefed up properly. This meant that the pre mise of change was not such a welcoming one within the internal publics. They did not want to alter their working standards and hence this posed as a serious challenge towards the healthcare facility. Moreover, there were economic issues which haunt this healthcare manager as well. This meant that he needed to restructure and reengineer everything within a fixed budget. The internal politics also came about because the employees had a habit of speaking behind one’s back that had a very negative effect as far as the organizational design, culture and adaptation issues were concerned. 4. What is the potential impact on the program of technology, legislation, etc. on the services provided on the program? The potential impact on the program with regards to technology,

The Banishment of Civilian Ownership of Assault Rifles Essay

The Banishment of Civilian Ownership of Assault Rifles - Essay Example To address this broader menace, American Administration has to chalk out a comprehensive plan / an effective strategy. There multi tasking approach is needed to handle firearms related issues inclusive of a) current laws of guns shall be implemented in its true spirit b) legal lacunas in the existing laws should be removed c) issuance of gun license should be linked with the mental health, age and track record of the applicant d) discourage such programs that ignites youngsters for misuse of guns e) back ground checks and gun tracking system should be improved / strengthened f) exemplary punishment should be given to gun laws violators g) awareness program should be launched to make the citizens realize the harm and disadvantages of possessing and misusing of guns and h) gun laws should effectively deal with the violators. Remedial Measures It would be in the best interest of things if the American Administration should recall the stringent version of federal laws, expired in the yea r 2004, to deal with misuse of assault weapons. This would be of great help in arresting the misuse of firearms. The arms at the use of armed forces should not be allowed to use by the general public (Duggan, 2000). If we take into account the public opinions and the statements of the political figures of repute in the United States of America, it seems that a consensus of all walks of life is built for a new law of assault weapons ban. This could be a right approach in the right direction. The law makers keeping in mind the danger of misusing firearms by the irresponsible gun holders should make an effective gun control law. If this issue is not seriously addressed by the Administration of the USA, there will be more such incidents in the days ahead (Thompson, 1989). Many Americans are in favor of Second Amendment that allows keeping arms by every citizen for his or her defense. However, the same numbers of American society are against of using lethal weapons by American Forces. Fu rther, the license issuing authority while issuing gun licenses should also take into account amongst other things, the purpose of using firearms by the applicant. There is no logic of issuing lethal weapons to a sportsman who uses it for hunting birds and animals (Thompson, 1989). Major Hindrance The key hindrance in introducing the new assault weapons ban law is the infamous National Rifle Association which has unprecedented power on capital hill. The reason being many members of NRA are hand picked members of Congress who had funded their election campaign and provided them desired political support to win the election (Thompson, 1989). Due to influence of NRA, the desired law deals effectively with the freedom of using insecure arms by naive users could not be renewed from the date of its expiration. Hence, the protestors, the other day, in the corridor of power, shouted against the shameful role of NRA (Duggan, 2000). Therefore, the NRA by using its influence intends to defer t he matter for some time. They do not even participate in the witness protection program. Restrictions The Supreme Court of America consistently impresses that holding a gun is a fundamental right of a citizen, but it also advocates imposition of reasonable restrictions. Keeping in view the spreading tentacles of cited epidemic in the American Society, the think tank of America felt it necessary to ban at least those weapons which are now in use

Faith, Reason, and Imagination Essay -- Christianity

Each of our faiths and reasoning are based on our cultural beliefs, behavior, and how we come to rationalize sense in our lives; along with a belief that does not require proof. Reason holds justification and intellectual faculty by which our conclusions are based via a truth or non-truth in why we are faithful. The enriched imagination that one holds is part of that â€Å"something special† which helps progress our lives to the next level giving freedom to feel, think, and wonder all the possibilities of life has to offer. Our existence as humans has allowed us this pleasure without reservation. Faith and imagination is all about truth and the belief in a higher power beyond man himself. Faith and imagination binds the power of God’s existence. However, in lack of evidence and that which is unforeseen; consequently, if we know the value of life and understand that which is right and wrong; it truly acknowledges God’s presence among us. when people reference a â€Å"miracle† has happened; most people that hold faith as a powerful source don’t just assume the miracle came out of nowhere without some concept of a divine attribute connected to faith. A miracle is not an act based purely on a violation of natural law, but an act of God’s law and his true existence. And if man is to find his true purpose of his existence and fulfilling his life, he must adopt faith and reason. I feel that Faith and reason are correlated in many aspects, and are vital to one another. Reason precedes faith in the process of knowing God’s existence and reigning power; although one cannot truly know the reasoning of something to be known without knowledge first. Faith is built on spirituality surrounding one’s cultural beliefs, behaviors, and ... ... Our faith as Christians should be in the ability to hold firmly and trust in the revelation of God’s word. Revelation must not be ignored. The Faith â€Å"surrounds† our reason with three key elements in mind, which are focused on human life, and God’s mysterious existence and power. Faith is justified in our reason and not just a state of mind to fill the void of reasoned knowledge. I believe there is a special knowledge that is centered and leads us to truth---and reason toward our obligations, commitments and how dedicated we are in Christ. He will certainly open the path of life for those who faithfully believe the inner testimony and followed his word. Work Cited The New Oxford Annotated Bible: With the Apocryphal/Deuterocanonical Books, New Revised Standard Version. Michael D. Coogan, editor. New York: Oxford UP, 2001. Print.

Neorealist Aesthetics on Rome Open City and 8 1/2 Essay

Introduction To critically evaluate the influences of neorealist aesthetics on Rome, Open City (1945) and 8 ½ (1963) I believe there are several measure I have to take. First of all, I believe it is essential to get a clear understanding of Italian neorealism and the common aesthetics of neorealist films. Once I have that established it will enable me to critically evaluate the influences of neorealist aesthetics on Rome, Open City and afterwards, 8 ½, drawing them both together in the conclusion. The end of World War II, and Mussolini’s fascist regime in 1945 enabled a national film movement to flourish in Italy. This movement was branded ‘Italian neorealism’, and with its unique aesthetic style and themes it produced, arguably, some of the most influential films ever made. Neorealism was seen to be a perfect way for Italian filmmakers to portray the misery and suffering they, and the entire nation experienced throughout this period of repression. Martha Nochimson describ es Italian neorealism as: A strong form of filmic poetry that aims for truth in its stories about the poor and the working class, without using the glamorizing techniques that Hollywood prefers, (that) can only be fully understood within the context of Italian social and political history. Italian neorealism has distinctive stylistic qualities that give it an almost documentary, ‘newsreel’ feel to the films. Neorealists believed this greatly added to the authenticity of each film and depicted life at that time in a more realistic way. Common characteristics of neorealist films are that they are shot on location, use non-professional or relatively unknown, inexperienced actors, have plain and simple mise-en-scene, avoid complex editing, have a straight forward, feely moving documentary style of photography and have a loosely plotted narrative. Martha Nochimson summerises this perfectly in stating that: Neorealists insisted on taking their cameras into real locations, using natural light and sound, and stripping their characters of synthetic enhancements. They frequently experimented with using non-professional and young unknown actors in order to avoid the carefully calculated mannerisms of the star. As well as having  a distinctive style, neorealist films also tended to have thematic similarities too. They generally placed emphasis on the contemporary situation, focused on the struggles of the lower class, marginalised population within society and often avoided the conventional Hollywood, ‘happy-ever-after’ endings. Rome, Open City is considered by many to be one of the most influential films ever made, and as a result it firmly put Italian neorealism on the map in world cinema. Due to the production starting virtually immediately after the occupying Germans departed, Peter Brunette described, ‘that the making of the film was carried out in the worst possible conditions’. Because Rome was still recovering from the devastating impact the war had on the city Rossellini had no other choice but to use real locations as the film studios within the area had either been bombed, or were being used as shelter for refugees affected by the destruction of the city. Marcus Millicent points out other obstacles Rossellini faced during the production, he states, ‘the lack of studio space, the absence of sophisticated equipment, and the scarcity of film stock forced Rossellini to adopt the simplicity of means that was responsible for the authentic and uncontrived look of his finished product.’ These conditions, resulting in the need for improvisation, were also true for most films produced during the height of neorealism up until its rapid decline in the early 1950s. However some critics argue that the conditions Rossellini faced have been exaggerated, especially in regards to the poor film stock he was believed to use. Christopher Wagstaff points out, ‘The ‘look’ of Rome Open City has been attributed to poor film stock, yet the film was beautifully photographed by Ubaldo Arata on entirely appropriate film stock, one kind for interiors and another for exteriors.’ One of Rome, Open City’s main neorealist characteristics is the thematic issue’s the film covers. Typical the neorealist films, Rome, Open City depicts the struggle of the poor, working class people within society at that time, in this case, as they try and resist the German occupation. Despite the obvious neorealist theme, critics have argued that Rossellini has deviated from neorealism within the narrative as he relies heavily on the use of melodrama within the plot and uses techniques to over dramatize the ‘epic’ moments he has created within the film, for example the use of none diagenic sound during the scene of Pina’s death is not a technique that is typically used in neorealist as  it defers too much from reality itself. Stephen Hanson even goes as far a stating, ‘its plot is highly melodramatic in the worst sense of the word.† Peter Brunette supports this view, he argues that Rossellini, â€Å"pawns off his   fictions as if they were realities in the best tradition of Hollywood. Not only do critics argue that Rossellini over dramatizes the plot, they also believe that he adopts a more linear narrative compared to the typical neorealist film. Peter Brunette argues that Rome, Open City is, ‘one of Rossellini’s most conventional films, at least in terms of its narrative and dramatic structures.’ He believes this conventional narrative style bears no benefit to the film and even goes on to state, ‘Here, unlike in his previous films, all elements of the mise-en-scene, lighting, dialogue, and everything else, however â€Å"realistic†, are rigorously enlisted in the service of a linear narrative.’ Rossellini’s use of mainly non-professional actors is a clear neorealist aesthetic within the film, however Peter Brunette argues that Rossellini did not abide by this neorealist trend entirely, as he points out, ‘(Anna) Magnani (who plays the role of Pina) was hardly a newcomer to the screen-she had already some sixteen films to her credit since her first role in 1935,’ and continues to add that she was, ‘well know to Italian audiences.’ A final neorealist stylistic quality Rossellini used in Rome, Open City, that seemingly can’t be disputed is the non-elaborative mise-en-scene. Each character’s costume was typical of what would have been wearing at the time the film was set, as we can see in ‘figure 1.’ of Pina, just before her death, with several other women. In contrast to Rome, Open City, 8  ½ varies greatly in regards to neorealism, however, Federico Fellini had strong connections to the neorealist movement and these influences can be seen in certain aspects of 8 ½. One of his first roles in cinema was to work alongside Rossellini for Rome Open City and Paisa (1946) as a scriptwriter, which progressively led to him making his own films. Although Fellini’s first films were considered neorealist, (For example, ‘Variety Lights’ (1950) and The White Sheik (1952)) he soon moved away from neorealism and with 8 ½ he produced a film that devotes much more effort to dreams, fantasy and imagination than it does to reality. However, if you look solely at the scenes that are set in Guido’s reality you can soon identify the influence neorealism has had on Fellini’s work. The free  moving camera style that gave neorealist films a ‘documentary’ feel to it is also evident in 8 ½. During the scen e where Guido enters the hotel and is consistently bombarded and hassled by everyone, unable to get a moment’s piece is a perfect example of how Fellini adopts this style. Throughout this scene the shots are also considerably long, (which is another stylistic quality many neorealist films possess) as the camera tracks Guido making his way through the hotel lobby. It can also be argued that 8 ½ has a greater neorealist quality to it than Rome, Open City in regards to the narrative and plot. Many neorealist films are not hung up on plot, and are more interested in providing a realistic ‘slice of life’ of the characters world (for example, ‘Bicycle Thieves (1948)). As well as the lack of a non-linear story, Fellini is influenced greatly by neorealist aesthetics as he uses real location throughout 8 ½. Although particular scenes in 8 ½ have aesthetic similarities and influences derived from neorealism, the film as a whole is has little relevance to neorealism in most aspects. For example there are very little thematic similarities as a typical neorealist film concentrates in portraying the poverty, suffering and oppression of the working class, 8 ½ is a semi-biographical film Fellini has based on himself. Jack Hirschman describes 8 ½ as, â€Å"Fellini’s most directly autobiographical statement.† Another key variation from neorealist aesthetics is the fact that Fellini expresses imagination, fantasy and dreams at the expense of realism. To conclude I believe that the two films discussed in this essay are not the only respective two of their kind, in regard to neorealist films deviating from the traditional aesthetic qualities expected of it, (for example De Sica’s neorealist film, Miricale in Milan (1951) explored fantasy, at the expense of its realist qualities,) and Fellini’s 8  ½ is of course, not the only film to be influenced by neorealism. Some critics even question neorealist aesthetic qualities further and argue because of the very nature of film production it is impossible to create an entirely realist film, Christopher Wagstaff questions a film’s realism by arguing: Within the narrative of a film, meanings can be signified indexically: if a little boy bursts into tears in a given narrative context, the meaning might be that he is frightened, disappointed or angry- the emotion caused the behaviour; but in ‘reality’ the actor (whether ‘professional’ or not) cried because the director told him to. Peter Brunette even goes as far as stating, â€Å"the only  valid subject for realist cinema is the impossibility of realist cinema.† Bibliography 8  ½ / Otto e mezzo, dir. by Federico Fellini (Colombia Pictures, 1963) Aumont, Jacques, Aesthetics of Film (Austin: University of Texan Press, 1992) Bicycle Thieves/ Ladri di biciclette, dir. by Vittorio De Sica (Ente Nazionale Industrie Cinematografiche, 1948) Bondanella, Peter, The Films of Federico Fellini (UK: Cambridge University Press, 2002) Brunette, Peter, Roberto Rossellini (Berkeley: Univerity of California Press, 1996) Forgacs, David, Sarah Lutton and Geoffrey Nowell-Smith, Roberto Rossellini: Magician of the Real (UK: British Film Institute, 2000) Gottlied, Sidney, Roberto Rossellini’s Rome open city (UK: Cambridge University Press, 2004) Hirschman, Jack, ‘Film Reviews’, Film Quarterly, Vol. 17, No. 1, (1963) Hanson, Stephen. L, Roma, città   aperta (2012) < http://www.filmreference.com/Films-Ra-Ro/Roma-Citt-Aperta.html> [accessed 20th March 2012] Millicent, Marcus, Italian Film in the Light of Neorealism (New Jersey: Princeton University Press, 1986) Miracle in Milan/ Miracolo a Milano, dir. by Vittorio de Sica (Criterion Collection, 1951) Nochimson, Martha. P, World on Film: an introduction (UK: John Wiley and Sons, 2010) Rome, Open City/Roma, città   aperta, dir. by Roberto Rossellini (Minerva Film Spa, 1945) Sparshott, F. E, ‘Basic Film Aestheics’, Journal of Aesthetic Education, Vol. 5, No. 2, (1971) The White Sheik/ Lo Sceicco Bianco, dir. by Frderico Fellini (OFI, 1952) Variety Lights/ Luci del Varietà  , dir. by Federico Fellini (Capitolium, 1950) Wagstaff, Christopher, Italian Neorealist Cinema: An Aesthetic Approach (Toronto: University of Toronto Press, 2007)

All About Planting Pin Oak in Your Yard

Socialism And Its Impact On Society - 1627 Words

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Supporters and Criticisms of Socialism Many people have supported socialism and its ideas, and have tried to convince people that it is a desirable to system to live in. One such person was Robert Owen, who showed that a business could still function properly even when taking the worker’s welfare into account and tried to set up a self-sufficient community. Owen first showed that his textile mills were able to generate profit while hiring no children under the age of 10, which was quite humane at the time. He thought that people’s feelings such as selfishness wereShow MoreRelatedfactors that contributed to the rise and development of sociology1511 Words   |  7 PagesThis essay serves to outline the factors that contributed to the rise of sociology and the latter`s development. In simply terms, sociology is the scientific study of the society and human behavior. The emergence of sociology traces back to the eighteenth century up to present day. 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